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Choosing the best lens for Canon Rebel T6 can be tricky due to the abundance of compatible lenses on the market. The Canon Rebel T6 is a superb product on its own, but it may not be able to provide users with the lens feature needed to make their shots exceptional. To create the perfect combination, not only do they have to put the lens spec into consideration, users still have to consider their interest and the camera’s intended outcome. Therefore, to save people from going through countless options, we have done the challenging task of reviewing the products and picking the best in each category. And to make the read further enjoyable, its informative aspect is filled with things to consider when purchasing a lens so as to get the best out of it, alongside other lens details users should be privy to.

A Quick Preview

Canon EF 50mm f1.4 USMCanon EF-S 10-18mm f4.5-5.6 IS STMSigma 85mm f1.4 DG HSM Art Lens for Canon EFCanon EF-S 55-250mm f4-5.6 ISSigma 18-35mm F1.8 Art DC HSM Lens for Canon

Best Overall - Editor’s choice

Best for Wide-angle Shots

Best for Close-up/macro shots

Best Zoom Option

Best Value for Money

Canon EF 50mm f/1.4 USM

Canon EF-S 10-18mm f/4.5-5.6 IS STM

Sigma 85mm f/1.4 DG HSM Art Lens for Canon EF

Canon EF-S 55-250mm f/4-5.6 IS

Sigma 18-35mm F1.8 Art DC HSM Lens for Canon

Our Reviews of the Best Lens for Canon Rebel T6 in 2022

Best Overall - Editor’s Choice - Canon EF 50mm f/1.4 USM

    • Impressively bright aperture perfect for working in low light scenarios.
    • A micro USM autofocus with FTM override.
    • Circular 8-blade diaphragm, great for blur and focusing.

An excellent lens made for professionals and beginners alike, this “nifty-fifty” has been proven to be one of the best lenses for Canon Rebel T6 available on the market. An extremely versatile prime lens, when used on an APS-C frame camera like the Rebel T6, the focal length becomes an equivalent to 80mm. Hence, it is great for video shooting, close-up shots, traditional photography, etc.

F/22 at minimum to f/1.4 at maximum opening aperture allows the lens to be perfect for use in almost all lighting conditions while also affording great control over depth of field and selective focus. In addition, the lens is also equipped with 2 high-refractive gaussian optics elements designed to reduce distortions and aberrations while improving picture clarity and accuracy. 

The impressive autofocusing is another feature available on the Canon EF 50mm F/1.4 lens. Employing a first-of-its-kind extra-small micro USM autofocus system, it delivers a quick, precise, and silent autofocus. In addition, if a shot requires manual focusing, there’s a full-time manual focus option available. 

Being a prime lens, it is incredibly lightweight and cheap; users can carry it around on their cameras for long periods without being stressed. Super Spectra coating has also been administered to individual lens elements to improve contrast and minimize flares when working in harsh light conditions.

Best for Wide-angle Shots - Canon EF-S 10-18mm f/4.5-5.6 IS STM

    • 35mm equivalent focal length is perfect for wide-angle shots.
    • Stepper Motor AF with full-time manual focus override.
    • Image stabilization up to 4 stops.

Looking for a lens that can provide that superb angle of view required for a wide-angle shot? This canon zoom lens is the best choice for the Canon Rebel T6. It fits under the range of wide-angle shot specs with an equivalent 16-28.8mm focal length. And to make things even more interesting, it has an aperture range of f/4.5 to f/29, ideal for use in different lighting scenarios.

The lens is equipped with 1 ultra-low dispersion glass element and 1 aspherical element to reduce color fringing, distortions, spherical aberrations, and chromatic aberrations. Also, the individual lens elements are super spectra coated to improve picture clarity, color neutrality, and excellent contrast (when working in harsh light).

Another feature of this Canon EF-S lens is the image stabilization that comes with it. An optical image stabilizer helps reduce micro-jiggles that may come about as a result of camera shakes during handheld shooting; also, with the ability to reduce shutter speed, this feature makes working in low-light conditions easier.

The rounded seven-blade diaphragm the lens aperture uses creates a blurred background with a nice, slightly out-of-focus quality. Furthermore, alongside a full-time manual focus override, the lens uses an STM  AF combined with a high-speed CPU and advanced AF algorithms to realize a quick, efficient, and near-silent autofocus.

Best for Close-up/macro shots - Sigma 85mm f/1.4 DG HSM Art Lens for Canon EF

    • The 9-blade circular aperture design is excellent in creating blur effects.
    • Impressive HSM focusing algorithm that allows manual focus, even during AF .
    • It comes equipped with the Sigma USB dock, allowing upgrades to be installed on the lens.

Without a doubt, this Sigma lens is one of the best video lenses for Canon Rebel T6. The lens is loaded with features that every top-notch lens ought to possess for optimal performance. A product from the Sigma Art series, this telephoto (135mm on APS-C) prime lens is designed for users who crave excellence in their chosen profession. 

A maximum f/1.4 and minimum f/16 aperture makes the lens ideal for use under various lights, plus it contributes to greater control over shallow depth of field and selective focusing techniques. In addition, this lens is excellent for close-up shots as the 9-blade rounded aperture diaphragm provides an attractive bokeh with an extremely high-resolution focus area.

To correct distortions, aberrations, fringing, and vignetting, the lens is equipped with 2 super low dispersion glass elements, 1 aspherical element, and 1 highly refractive glass element. Furthermore, the individual lens elements are Super Multi-Layer Coated to minimize ghosting and flares that tend to appear under harsh light, ensuring a better picture quality with contrast-rich and color-neutral imagery.

Another feature worthy of note is the USB dock made available on the lens. This feature makes it so that a user can personalize the lens’s settings and upgrade the lens instead of going for a totally new option. Constructed from glass, metal, and brass, the lens is optically standard, durable, and can be used in various types of weather.

Best Zoom Option - Canon EF-S 55-250mm f/4-5.6 IS

    • 88-400mm equivalent on APS-C cameras.
    • Image stabilization up to 3.5 stops.
    • Equipped with STM autofocus as well as FTM focus override.

The Canon EF-S 55-250mm f/4-5.6 IS STM Lens is a telephoto zoom lens designed for shots involving long distances. It is an all-around camera used for travel vlogging, landscape scenery, sports, wildlife, etc. It is an exceptionally versatile lens liked by professionals and non-professionals, and to top it off, it is incredibly cheap.

Pictorial flaws like chromatic aberrations, color fringing, flares, and ghosting are expected, especially for long-range shots. However, the lens is equipped with 1 ultra-low dispersion glass element while individual lens elements are Super spectra coated; these features improve clarity and color neutrality, especially when working with harsh light.

Like many other lenses’ on the market, this zoom lens is equipped with image stabilization aimed at reducing micro-jiggles that may come about as a result of camera shake during handheld shooting. In addition, slower shutter speeds combined with the lens max f/4 aperture make it great for use, even when illumination is poor. 

Contributing to the excellent blur background of the lens is its rounded 7-blade diaphragm, which is helpful in bokeh, and the focusing technology used in the lens is STM autofocus. Coupled with a high-speed CPU and advanced AF algorithms, the external focus is quick, precise, and near-silent, with the option to switch over to manual anytime the user chooses.

Using a gimbal or tripod when making a video guarantees steadiness and absence of camera shakes, making lenses without image stabilization perform better.

Best Value for Money - Sigma 18-35mm F1.8 Art DC HSM Lens for Canon

    • Maximum f/1.8 constant aperture excellent in low-light.
    • 5 SLD elements, 4 aspherical elements, and super spectra coating of individual lens elements.
    • Rounded 9-blade diaphragm for pleasant bokeh effect.

To name a lens as the best video lens for Canon Rebel T6 can be a stretch because of the different categories available; however, this masterpiece from the Sigma Art series is a contender. It is a wide-angle zoom lens with an aperture of f/1.8 at the highest opening and f/16 at the lowest; using it for long-distance videography will only negate its wonder.

On an APS-C camera, its equivalent focal length is 28.8-56mm, essentially becoming a “nifty-fifty”. Moreover, to create a picture-perfect image, the lens is equipped with optical elements that will reduce the regular flaws that are part of almost all camera lenses, making them barely noticeable or totally gone in some aspects. This altogether improves image clarity and accuracy.

The bright constant aperture of the lens makes working with selective focus techniques and shallow depth of field impressive; combined with its nine-bladed circular diaphragm, the lens has a pleasant out-of-focus quality and premium bokeh blur background. These features make it one of the best lenses for Canon Rebel T6 available.

For autofocusing, it uses an integrated Hyper Sonic Motor and an internal focusing design. Coupled with superb AF algorithms, it delivers fast, precise, and silent autofocus performance; to switch over to MF, all the user has to do is simply rotate the focus ring.

Choosing the Best Lens for a Camera: What to Put in Mind

When purchasing a lens for your camera, Canon Rebel T6 or not, some basic standards must be met. Although camera uses are different, it doesn’t matter whether the user is a professional, a casual videographer, or just a camera enthusiast; some details simply cannot be overlooked.

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To get the best use out of a lens, some things must be put into consideration; some of these details include:

  • Lens Type

This is just to know whether the lens is a zoom lens or a prime lens. The major difference between these lenses is the name, as zoom lenses support a change in focal length while prime lenses have a fixed focal length. Zoom lenses tend to be heavier and pricier since a lot of elements go into their construction.

The different categories of lenses available all fall under these two. Some examples of lens categories are telephoto lens, wide-angle lens, standard lens, etc.

  • Focal length

In simple terms, a focal length is the distance between the camera’s sensor and the optical center of a lens. It is measured in millimeters and is used in naming the lens. The focal length of lenses determines the angle of view; low numbers see broadly but not far, while higher numbers tend to see far with a narrow angle of view.

  • Aperture

An appropriate phrase that best describes aperture is the pupil of the lens, as it functions in the exact way a pupil does. Therefore, a lens aperture (1) is responsible for the amount of light allowed in for illumination during shots, and it is measured in f/stops. These stops are fractions, which is why f/1.2 is seen as the maximum aperture while f/2.8, f/22, f/36, etc. apertures are seen as lesser.

Cleaning the lens is an absolute necessity. To improve picture quality and lens efficiency, smears, smudges, dirt, or any kind of lens pollutant must not be allowed on the outer surface.

Other Basic Lens Information

Here are some basic lens construction details to better understand how to use them and various accessories that can be used with them. They include:

  • Materials Used 

In the construction of lens elements, glass is the most popular material used. This is because it has excellent optical properties and is incredibly durable; other materials include quartz crystals, acrylic plastic, meteoric glass, etc. 

The lens’ body can be made from either plastic or metal; however, metal coverings tend to be costlier, heavier, and susceptible to cold. It is also important to note that lens construction materials play a critical role in durability.

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  • Lens Mount

This allows the external lens to fit on the camera’s body. The most popular mount used on lenses today is the bayonet, with thread and breech-lock mounts as alternatives. An advantage of the bayonet mount is that it can incorporate electronic contacts.

Compatibility also comes into play under lens mounts since each camera has its own unique mount that limits the type of lenses it can be used with.

  • Lens Hood Thread

Easily deductible from the name, this is the part of a lens that allows the attachment of a hood. Lens hoods help block excessive lighting and reduce flare and might even work in protecting against dirt in some situations.

  • Filter Thread

Like the one above, this part of the lens is reserved for the threading on of filters. Filters are used in modifying light rays that reach the camera sensor; they help improve clarity and bring about a noticeable reduction in chromatic aberrations.

  • Focusing Design

There are 2 types of focusing design employed by camera lenses; internal focusing and external focusing. This does not imply that the focus takes place inside or outside the lens; it simply refers to the position of the lens during focus. Many users prefer the internal focusing design since it is quieter, faster, and does not bring about any noticeable change to the lens.

However, when focusing on the rear or external design, the lens’s length elongates, and it comes with a bit of noise which can be bad for videography.

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  • Size and Weight

These two factors account for ease of use; bulky and heavy lenses are best used with tripods or gimbals as lugging them around can be pretty stressful. Also, due to the abundance of elements in zoom lenses, they tend to be heavy and large, with prime lenses leaning towards the more compact route.

F. A. Q

Yes, the Canon Rebel T6 is compatible with Sigma lenses. Their DC lenses are made for APS-C sensor cameras, while their DG lenses are designed for use on DSLR cameras. As long as the lens mount fits, they can be used together.

You can use a full-frame lens with an APS-C sensor camera. The image is automatically cropped to the APS-C size; the only difference is that the focal length increases by 1.6x (Canon). So a full-frame 50mm lens becomes 80mm on an APS-C sensor.


Everyone wants what is best for themselves, and this trait is evident even in lens acquisition. However, there are details to put in mind to ensure that the goal of getting the best is achieved. 

For your Canon Rebel T6, this article recommends the Canon EF 50mm f/1.4 USM lens. It is a state-of-the-art versatile prime lens whose’ features will blow you away. Its impressively bright maximum constant aperture makes it ideal for use in almost all lighting conditions, and the price is affordable to boot.

Even though we’ve done justice to this piece, we’ll still love to hear from you. Have any thoughts? Please share them with us via the comment section.


  1. Nasim Mansurov. (2022, April 4). What Is Aperture? Understanding Aperture in Photography. Retrieved from